Oldboy (2003) by Park Chan-wook

Oldboy (Hangul: 올드보이; RR: Oldeuboi; MR: Oldŭboi) is a 2003 South Korean mystery thriller film directed by Park Chan-wook. It is based on the Japanese manga of the same name written by Nobuaki Minegishi and Garon Tsuchiya. Oldboy is the second installment of The Vengeance Trilogy, preceded by Sympathy for Mr. Vengeance and followed by Sympathy for Lady Vengeance.

The film follows the story of one Oh Dae-su, who is locked in a hotel room for 15 years without knowing his captor's motives. When he is finally released, Dae-su finds himself still trapped in a web of conspiracy and violence. His own quest for vengeance becomes tied in with romance when he falls for an attractive sushi chef.

I can forgive.

Tiffany: Hey!

Pat: What the fuck? I'm married!

Tiffany: So am I!

Pat: What the fuck are you doing? Your husband's dead!

Tiffany: Where's your wife?

Pat: You're crazy!

Tiffany: I'm not the one who just got out of that hospital in Baltimore.

Pat: And I'm not the big slut!... I'm sorry... I'm sorry... I'm sorry.

Tiffany: I was a big slut, but I'm not any more. There's always going to be a part of me that's sloppy and dirty, but I like that. With all the other parts of myself. I can forgive. Can you say the same about yourself fucker? Can you forgive? Are you any good at that?

Silver Linings Playbook (2012) by David O. Russell

The world will break your heart ten ways to Sunday.

The world will break your heart ten ways to Sunday. That's guaranteed. I can't begin to explain that. Or the craziness inside myself and everyone else. But guess what? Sunday's my favorite day again. I think of what everyone did for me, and I feel like a very lucky guy.

Silver Linings Playbook (2012) by David O. Russell

The gory bits of me.

I thought I understood it, that I could grasp it,
but I didn't, not really.

Only the smudgeness of it; the pink-slippered,
all-containered, semi-precious eagerness of it.

I didn't realize it would sometimes be more than whole,
that the wholeness was a rather luxurious idea.

Because it's the halves that halve you in half.
I didn't know, don't know, about the in-between bits;
the gory bits of you, and the gory bits of me.

Like Crazy (2011) by Drake  Doremus.

No matter what. Ever,

Ex-girlfriend: Whatever happens in the end,

I don't wanna lose you as my friend.
Jack: I promise, I will never be your friend. 

No matter what. Ever.

Hotel Chevalier (2007) by Wes Anderson

Goverments should be afraid.

"People should not be afraid of their governments. Governments should be afraid of their people."

V for Vendetta (2005) by James McTeigue

Un sentimiento suspendido en el tiempo.

- ¿Qué es un fantasma? 

- Un evento terrible condenado a repetirse una y otra vez, un instante de dolor, quizá algo muerto que parece por momentos vivo aún. Un sentimiento, suspendido en el tiempo, como una fotografía borrosa, como un insecto atrapado en ámbar

Un fantasma, eso soy yo.

El Espinazo del Diablo (2001) by Guillermo del Toro.

The Slut and the Falcon

Charlie: I really wanna be a writer but I don't know what I'd write about. 

Sam: You can write about us. 

Patrick: Call it 'The slut and the falcon' make us solve crimes.

The Perks of Being a Wallflower (2012) by Stephen Chbosky.

And in this moment I swear, we are infinite.

I don't know if I will have the time to write anymore letters because I might be too busy trying to participate. So if this does end up being the last letter I just want you to know that I was in a bad place before I started high school and you helped me. Even if you didn't know what I was talking about or know someone who has gone through it, you made me not feel alone. Because I know there are people who say all these things don't happen. And there are people who forget what it's like to be 16 when they turn 17. I know these will all be stories someday. And our pictures will become old photographs. We'll all become somebody's mom or dad. But right now these moments are not stories. This is happening, I am here and I am looking at her. And she is so beautiful. I can see it. This one moment when you know you're not a sad story. You are alive, and you stand up and see the lights on the buildings and everything that makes you wonder. And you're listening to that song and that drive with the people you love most in this world. And in this moment I swear, we are infinite. 

The Perks of Being a Wallflower (2012) by Stephen Chbosky.

My Elizabeth SHALL BE QUEEN!

 King Henry VIII: Nan, is it true?

Anne: Have you stepped into your own trap, my lord? Any evidence you have against me, you yourself bought and paid for. Do you now begin to believe it? 

King Henry VIII: Anny, the court is still in session to decide your... verdict. I don't want to hear your guilt from them, I want to hear it from your lips. 

Anne: That I was unfaithful to you? 

King Henry VIII: Yes, just that. Were you unfaithful to me whilst I still loved you? Of course, I'll never know. Whether you say aye or no, I shall never know. 

Anne: You come here to make sure whether there was truly adultery, Because that would touch your manhood or your pride. And even so, my heart and my eyes are glad of you. Fool of all women that I am, I'm glad of you here. Go, then. Keep your pride of manhood, you know about me now. 

King Henry VIII: Nan, is it true that you're glad to see me? 

Anne: Yes, it's true. 

King Henry VIII: Then, Anne, lets do all gently for old times sake. I have no wish to harm you, and your words have moved me deeply. I must be free to have a son, and the son must be free to rule England when I die. 

Anne: Why must you leave a king to follow you, Henry? Why not a queen? 

King Henry VIII: This country has never been ruled by a queen. I know it never could be. We can never have a son now, God has spoken. I must have a son elsewhere. And it's getting late. I'm not as young as I was. 

Anne: What do you want of me? 

King Henry VIII: Agree to annul the marriage and give up all rights. You shall go abroad and take Elizabeth with you. You will be well cared for. Please set me free. 

Anne: To marry Seymour and make our child a bastard? No. No. No. 

King Henry VIII: Nan... Nan, you leave me no choice! 

Anne: Once I told you any children we had would not be bastards. You promised marriage and the crown. Now you try to dance out of your promise. Well, I won't have it! We are man and wife together. King and Queen. I keep that. Take it from me as best you can. 

King Henry VIII: Then you have decided, and so have I! 

Anne: Before you go, perhaps you should hear one thing. I lied to you. I said "I love you", but I lied. I was untrue. Untrue with many. 

King Henry VIII: That is a lie. 

Anne: It is true. I was unfaithful to you with all of them. With half your court. With soldiers of your guard, with grooms, with stablehands. Look for the rest of your life at every man that ever knew me and wonder if I didn't find him a better man than you! 

King Henry VIII: You whore! 

Anne: But Elizabeth is yours. Watch her as she grows; she's yours. She's a Tudor! Get yourself a son off of that sweet, pale girl if you can - and hope that he will live!
But Elizabeth shall reign after you! Yes, Elizabeth - child of Anne the Whore and Henry the Blood-Stained Lecher - shall be Queen!And remember this: Elizabeth shall be a greater queen than any king of yours! She shall rule a greater England than you could ever have built! Yes - MY Elizabeth SHALL BE QUEEN! And my blood will have been well spent! 

Anne of the thousand days (1969) by Charles Jarrott

Oz: The Great And Powerful (2013) Trailer

A stage magician is hurled into a fantasy world, and must use his wits to stay ahead of three enchantresses who have plans for him.

"Find yourself in Oz."

Oz: The Great and Powerful (2013) by Sam Raimi

Except for that one day.

Anne Boleyn: For six years, this year, and this, and this, and this, I did not love him. And then I did. Then I was his. I can count the days I was his in hundreds. The days we bedded. Married. Were Happy. Bore Elizabeth. Hated. Lusted. Bore a dead child… which condemned me… to death. In all one thousand days. Just a thousand. Strange. And of those thousand, one when we were both in love, only one, when our loves met and overlapped and were both mine and his. And when I no longer hated him, he began to hate me. Except for that one day.

Anne of the thousand days (1969) by Charles Jarrott

This confession has meant nothing.

There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed. My pain is constant and sharp, and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this, there is no catharsis; my punishment continues to elude me, and I gain no deeper knowledge of myself. No new knowledge can be extracted from my telling. This confession has meant nothing.

American Psycho (2000) by Mary Harron

I simply am not there.

Patrick Bateman: There is an idea of a Patrick Bateman; some kind of abstraction. But there is no real me: only an entity, something illusory. And though I can hide my cold gaze, and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable... I simply am not there.

American Psycho (2000) by Mary Harron

I just had to kill a LOT of people

Patrick Bateman: Harold, it's Bateman, Patrick Bateman. You're my lawyer so I think you should know: I've killed a lot of people. Some girls in the apartment uptown uh, some homeless people maybe 5 or 10 um an NYU girl I met in Central Park. I left her in a parking lot behind some donut shop. I killed Bethany, my old girlfriend, with a nail gun, and some man uh some old faggot with a dog last week. I killed another girl with a chainsaw, I had to, she almost got away and uh someone else there I can't remember maybe a model, but she's dead too. And Paul Allen. I killed Paul Allen with an axe in the face, his body is dissolving in a bathtub in Hell's Kitchen. I don't want to leave anything out here. I guess I've killed maybe 20 people, maybe 40. I have tapes of a lot of it, uh some of the girls have seen the tapes. I even, um... I ate some of their brains, and I tried to cook a little. Tonight I, uh, I just had to kill a LOT of people. And I'm not sure I'm gonna get away with it this time. I guess I'll uh, I mean, ah, I guess I'm a pretty uh, I mean I guess I'm a pretty sick guy. So, if you get back tomorrow, I may show up at Harry's Bar, so you know, keep your eyes open.

American Psycho (2000) by Mary Harron

Eternal Sunshine of The Spotles Mind Minimal Posters

Eternal Sunshine Tattoo

Meet me in Montauk + LACUNA INC.

by Javi Wolf

Mórbido Mérida 2012

La III edición del Festival Internacional de Cine Fantástico y de terror Mórbido Mérida se celebrará en la ciudad del 18 al 21 de octubre del presente año, en el Teatro Armando Manzanero.

“Mórbido es una marca establecida y relacionada con el género fantástico y de Terror, con la cultura pop y el entretenimiento.”

Mórbido Festival Internacional de Cine Fantástico y de Terror, fue creado en el 2007 con el propósito de convertirse en un espacio único para la proyección de películas de género, así como un punto de encuentro para directores, artistas y público en general, fomentando el Cine Mexicano y Latinoamericano. Sus resultados lo han posicionado como un proyecto cultural integral comprometido con la difusión de la cultura cinematográfica nacional e internacional, como una plataforma de lanzamiento y promoción, como un referente del cine fantástico y de terror en México.

En el 2010, Mórbido amplio sus horizontes y se convirtió en un proyecto itinerante, llevando una selección de los mejores cortos y largometrajes de la selección oficial a diversas ciudades de la República: León, Mérida, Oaxaca, Tijuana, La Paz, Michoacán y Cd. de México.

En 2011 Mórbido se internacionalizó con la primera edición en Costa Rica. Los planes para 2012 incluyen nuevas sedes en Centro América y para el 2013 en Estados Unidos y Europa.

Cartelera Mórbido Mérida 2012:

Jueves 18 de Octubre:
         8:00 PM: Ceremonia de Inauguración.
         8:30 PM: Función Inaugural: Juan de los Muertos.

Viernes 19 de Octubre:
         6:00 PM: Función Especial: El Gabinete del Dr. Caligari [Musicalizada en vivo por
         el grupo Fonométrico] (en el teatro Daniel Ayala)
         8:30 PM: Inauguración de la exhibición de artes gráficas.
         9:15 PM: Wound.

Sábado 20 de Octubre:
         12:00 PM: El Fin.
         02:00 PM: The Bunny Game.
         04:00 PM: Penumbra.
         06:00 PM: Reacciones Adversas (con la presencia del director David Michán).
         08:00 PM: El Ciempiés humano 2.
         10:00 PM: Selección de Cortometrajes Internacionales (en Restaurante 2012,         Espacios Mayas)

Domingo 21 de Octubre:
         10:00 AM: Funcion de Cortometrajes Infantiles.
         02:00 PM: Stakeland.
         04:00 PM: Zló.
         06:00 PM: Forbidden Zone.
         08:00 PM Ceremonia de Clausura.
         08:30 PM: Función de Clausura: The Loved Ones.

Hitchcock (2012) Trailer.

"Good Evening"

A love story between influential filmmaker Alfred Hitchcock and wife Alma Reville during the filming of Psycho in 1959.

Hitchcock (2012) by Sacha Gervasi

I choose us.

We have a house in Jersey. We have two kids, Annie and Josh.
Annie's not much of a violin player, but she tries real hard. She's a little precocious, but that's only because she says what's on her mind. And when she smiles...
And Josh, he has your eyes. He doesn't say much, but we know he's smart. He's always got his eyes open, he's always watching us. Sometimes you can look at him and you just know he's learning something new. It's like witnessing a miracle.
The house is a mess but it's ours. After 122 more payments, it's going to be ours.
And you, you're a non-profit lawyer. That's right, you're completely non-profit, but that doesn't seem to bother you.
And we're in love. After 13 years of marriage we're still unbelievably in love. You won't even let me touch you until I've said it. I sing to you. Not all the time, but definitely on special occasions. We've dealt with our share of surprises and made a lot of sacrifices but we've stayed together.
You see, you're a better person than I am. And it made me a better person to be around you.
I don't know, maybe it was just all a dream. Maybe I went to bed one lonely night in December and I imagined it all. But I swear, nothing has ever felt more real. And if you get on that plane right now, it'll disappear forever.
I know we could both go on with our lives and we'd both be fine, but I've seen what we could be like together. And I choose us.

The Family Man (2000) by Brett Ratner